walking as I stand - installation view six drawings and axis 10.5 inches x 17.5 inches x 50ft Douglas fir photography by Derek Porter
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But reverse the hourglass 2017 graphite and colored pencil on mat board 60 x 80 inches title from text by John Berger from Into the Woods, 2006, published in Sublime, ed. by Simon Morley, 2010, Whitechapel: Documents of Contemporary Art, MIT P
half-dark of the enormous 2017 graphite and colored pencil on mat board 60 x 80 inches title from poem by Tomas Transtromer, Romanesque Arches, 1989, translated by Robert Bly
any wind will tell you 2017 graphite and colored pencil on mat board 60 x 80 inches title from poem by Jorie Graham WE, 2015
to the next nearest there 2017 graphite and colored pencil on mat board 60 x 80 inches title attributed to William Wordsworth private collection, Dallas, TX
moving a perhaps 2017 graphite and colored pencil on mat board 60 x 80 inches title from poem by E E Cummings Spring is like a perhaps hand, 1923
as though air could turn to honey 2017 graphite and colored pencil on mat board 59 by 102 inches title from page 290 of Wanderlust: A History of Walking by Rebecca Solnit (2001) Penguin Books
the small hours 2017 graphite and colored pencil on mat board 59 by 102 inches title from poem by Alice Oswald “Vertigo” from Falling Awake, (2016) W.W. Norton & Company Collection of the Chicago Exchange
installation view of Axis by Ginny Threefoot a poem in response to the exhibition  
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